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<Text>PLAYS 1 includes Frys most famous work, The Ladys Not for Burningspring in his set of Seasonal Plays which is joined by the summer play A Yard of Sun, and a previously unpublished early play, Siege, based on the story of Aucassin and Nicolette.</Text>
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<Text>Howard Barker is one of the most significant and controversial dramatists of his time. His plays challenge, unsettle and expose. The plays in this volume examine collisions of culture, gender and creed at moments of turmoil, developing the tragic form Barker defines as Theatre of Catastrophe. Claw concerns an underprivileged young man watching his so-called superiors; Ursula is Barkers typically intriguing take on the legend of St Ursula; He Stumbled is a fable concerning an anatomist and a dying king; In The Love of a Good Man we witness the mass burial of the dead.</Text>
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<Text>In her cell in Rangoons Insein prison, Nobel Peace Prize winner Aung San Suu Kyiincarcerated by Burmas military dictatorship for almost 20 yearstells her story. Richard Shannons powerful and moving one-woman play vividly portrays the life and message of the worlds most famous prisoner of conscience. 
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<Text>Three plays from one of New Yorks hottest young writers, produced to great acclaim off-broadway. 
Rag and Bones: Two brothers mourn the death of their mother whilst barely running the family ladder store. Unwittingly, Jeff builds a ladder to Heaven, and George uses the store as a front for the Black Market sale of human hearts, harvested from unsuspecting innocents. 
Mr Marmalade: Lucy and Larry are clever kids. Lucy has a precocious vocabulary, killer skills in the kitchen, a husband who spends too much time at the office, and she's just four years old! A brilliantly off-the-wall interpretation of adult behaviour. 
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<Text>England: a country frightened of its young, a country of ASBOs (Anti-Social Behaviour Orders), hoodies and happy slapping. How has our youth got so out of control? In a classroom somewhere a teacher, Tom, is alone with Darryl, an excluded boy, in an effort to teach him where all else has failed. Duncan Macmillan takes on some of the most pressing issues of our time in this powerful and humane play about relationships between teachers and pupils, young and old, generation and generation. </Text>
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<Text>None of this is the truth. Its just people saying things. Its all subjective. Theres the truth, and theres what people think is the truth, and it all depends on how you slant it Taking Care of Baby tackles the complex case of Donna McAuliffe, a young mother convicted of the murder of her two infant children. In a series of probing interviews the people in this extraordinary story, including Donna herself and her bewildered mother Lynn, reveal how they may have harmed those they sought to protect.</Text>
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Based on a real-life sex scandal that escalated all the way to Roosevelt, the play is a powerful and pertinent examination of bigotry and injustice. As the debate about homosexuals in the US military still rages, it's a timely reminder that progress is not always forthcoming. 
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<Text>Three masterpieces by one of the most important French dramatists of the 17th century. Berenice is a tale of love and personal happiness in conflict with public duty; Phdre concerns a princess with an overwhelming infatuation with her stepson; Britannicus lays bare the relationships at the heart of power as a world slips into moral chaos.</Text>
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<Text>This new LAMDA book gives an overview of six musical theatre styles: light opera/operetta; vaudeville/music hall; jazz; book; concept and pop/rock musicals. 
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<Text>Gender-bending, erotic and sexually-charged, The Triumph of Love is the 18th Century equivalent of a Joe Orton comedy A  young princess, conscious that her claim to the throne is less than honourable, disguises herself as a man in order to dupe her enemies and persuade the rightful ruler to return. This faithful and vivid translation by Braham Murray and Katherine Sand was first performed at the Royal Exchange Theatre, Manchester in 2007.
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<Text>Late at night, in an isolated house on the Yorkshire moors, a couple await the return of their estranged daughter. But when Charlotte arrives with news of a mysterious encounter on the nearby road, and a gift for the family to share, their happy reunion turns into a disturbing reawakening of the past. 
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<Text>The latest in the National Theatre at Work series follows the production of War Horse, a play adaptation of the celebrated novel by the children's Laureate (2003-05) Michael Morpurgo. Working with life-sized puppets, the actors take the audience on a gripping journey through history as they tell this deeply moving story about friendship in World War I. From early concept workshops to one of the most beguiling and original plays for younger people ever staged at the Olivier, The Horses Mouth is a fascinating behind-the-scenes story of how this acclaimed and highly technical piece of theatre was achieved.</Text>
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<Text>In this groundbreaking text-book, two of Britains leading voice coaches set out a wholly new way of learning to do accents based on listening out for the ways in which accents are put together, then reconstructing them, thus producing a more natural and flexible sound. The book comes with a CD to help guide the reader through the process, and to put together a wide range of accents. The book is accessible and comprehensive, and is sure to become the essential tool for drama students and amateurs alike.</Text>
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<Text>Some Sort of A Life is the candid autobiography of Miriam Karlin, a pillar of the British acting establishment. Karlin talks to Jan Sargent about her early life training as an actress in London during the war and the extraordinary origins of her very left-wing politics and absolute commitment to justice. Her passionate views are reflected in her feelings about people, and hold surprising revelations and intimate reflections on her relationships with friends, lovers, colleagues and the theatre world of the last fifty years.</Text>
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