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<Text>In 1986, Peter Gill, the then director of the National Theatre Studio, sent a group of young actors to interview their seniors about speaking on stage. The transcripts provide fascinating insights into the theatre of the past, but they also show how little has changed: the actors primary tools are still the body and voice. Actors interviewed include Harry Andrews, Alec Guinness, Rex Harrison, Robert Stephens and Margaret Tyzack, with notes from John Gielgud. Peter Gill provides an introduction. </Text>
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<Text>Ugly is no ordinary duck  in fact he might not even be a duck at all. An embarrassment to his brothers and sisters, Ugly eats snails, speaks funny and looks even funnier. Fed up with being the butt of all the pond jokes, he strikes out on his own. Set on Hampstead Heath, Philip Osment's modern re-imagining of Hans Christian Andersen's tale The Ugly Duckling is a wild adventure for anyone who wants to stand out from the crowd.
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<Text>Victor, a tough Ukrainian in his early 40s, arrives in the UK to join the illegal workforce and endure appalling conditions. With a combination of luck and gritand the help of Anita, young, Scottish and very brighthe establishes his own business: an agency that supplies legitimate seasonal labour. But Victor comes into conflict with his former boss and overreaches himself with fatal results. But not before he has enjoyed the good life andincidentallyexposed the dubious morality of much of the British labour market.
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<Text>Little Wolf is a Goody Four-Paws. He brushes his teeth, says please and thank you and is always in bed on time. This simply will not do... His parents, concerned they will never make a beast of him, send him off to Cunning College to learn the Nine Rules of Badness from the growliest, greediest, ghastliest wolf of all: Uncle Bigbad! Mischief, comedy and songs create a most dastardly musical for anyone very bad (or wanting to be bad) aged 5 years and above.
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<Text>A young black woman starts telling us about her day. She speaks in a continuous present tense: The alarm clock goes. She tries to ignore it. She goes downstairs. Her parents are nagging her younger brother that hell be late for school. He leaves in a rush, the parents grumble. She gets ready for work. Then the police are at the door. The boy has been killed in a random shooting. And their world implodes Written with a vivid immediacy that captures the wonderfully observed idiosyncrasies of an ordinary family starting what they think is an ordinary day, Random is another provocative tour de force from Britains leading black female playwright. </Text>
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<Text>Actors at every levelfrom school exam to professional castingare called upon to perform one or more audition pieces, often one modern and one classical. A great deal will depend on their coming up with something fresh that is exactly suited both to the role they are auditioning for and to their particular performing skills. This is where The Good Audition Guides come in. Drawing on over thirty years experience as an actress and drama coach, Jane Maud has selected fifty monologues for men drawn from plays largely written in the last ten years. None of these pieces appears in any other collection of monologues. </Text>
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<Text>The First Folio of 1623 is the most authoritative edition of Shakespeares plays. But because of the antiquated typography and cramped layout, it is very hard to read. This brand new edition accurately reproduces the Folio letter for letter, dot for dot, but does so in modern type. At a stroke, the dust of ages is blown away and what Shakespeare actually intended is revealed to modern readers. With no editorial interferencebut also with no quaint typographical quirksShakespeareans everywhere, students, actors, directors, can see for themselves what the Folio really says.</Text>
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<Text>Eddie returns home from Ireland for a peaceful family Christmas for the first time in many years. But neither he nor his parents can forget or forgive themselves for the death of their other son, Richard. Was it an accident or did he intend to kill himself? As they struggle to reconcile their consciences, hurtful recriminations and dormant conflicts begin to surface and raise the ghosts of Christmases past</Text>
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<Text>One of the foremost playwrights of his generation, Wesker is considered something of an outsider, an assertion made by critics [the late] Ronald Bryden in 1966 (The Observer) and Michael Billington in 2000 (The Guardian). One of the founders of the kitchen sink dramas in the 1950s, his work is always unpredictable and he defies categorisation. He views himself as a free spirit and explains the versatile quality of his plays by the fact that he lets his material dictate its own inherent style. This collection of tender plays about love, including The Four Seasons, Love Letters on Blue paper and Lady Othello brilliantly confirm that unpredictability from a writer best known for his powerful social dramas such as The Wesker Trilogy, The Kitchen, and Chips With Everything.
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