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<Text>Vertebrate pests cause problems in agriculture, forestry and fisheries, to human and animal health and safety and to human recreation. The types of wildlife damage are many and varied, and can be costly. Until now, there has been little effort to identify and evaluate generalities across that broad range of species, methods and topics.</Text>
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<Text>Habitat loss and degradation that comes as a result of human activity is the single biggest threat to biodiversity in the world today. This groundbreaking work brings together a wealth of information from a wide range of sources to define the ecological problems caused by landscape change and to highlight the relationships among landscape change, habitat fragmentation, and biodiversity conservation.</Text>
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<Text>There is an ever-increasing need for rapid methods and instrumentation in the field of food and feed quality. Key issues dealt with in the food and feed industry include: monitoring of processes at all stages; showing due diligence in the control of food and nutritional quality; achieving rapid results for detecting (micro)biological, chemical and physical deterioration of food and feed; and finally, detecting rapidly and reliably food authenticity and/or adulteration.</Text>
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<Text>The decline associated with steady economic and social change in the last half-century has given way to a growing self-confidence and to real programmes of urban and industrial renewal. There is an awakening of interest in the history of the area, helped in no small way by the restoration of the canals and the construction of the Falkirk Wheel, the worlds first rotating boat lift. This book gives a fully revised and comprehensive account of Falkirks fascinating history.</Text>
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<Text>With more than thirty-five years experience of jihadist activism, Abu Musab al-Suri remains one of the foremost theoreticians of the global jihadist movement, despite his alleged capture in Pakistan in late 2005. After having participated in the founding of Al Qaida in Afghanistan in 1988, Al-Suri, trained a whole generation of young jihadis at Al Qaidas Afghan camps. Building on his extensive military experience of the Syrian Islamist insurgency in the early 1980s, he contributed decisively to formulating Al Qaidas global strategy via a series of writings in Arabic, the most influential of which is the 1,600 page The Global Islamic Resistance Call. This enshrines Al-Suris desire to learn from past mistakes and rectify the course of the jihadi movement, and Brynjar Lia includes his own translation of its two key chapters in his biography.</Text>
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<Text>Len Roberts wrestles with the loss of loved ones--whether that loss be through death, a son moving away to college, or simply how people fade from our lives and memories. Hybrids of the narrative and lyric form, these poems are models of indirect statement that have, as Sharon Olds has said, "emotional courage, powerful music, and a deep balance." Like the light shining on a face, or a girl's thigh back in a sixth-grade class, the poems often come as Proustian flashes--lasting just a second, but seeming eternal--amid an increasing darkness. </Text>
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<Text>An introductory primer directed at the newcomer to bluegrass that also provides a novel perspective for those already captivated by the music. It covers the history of the genre's development in a relaxed style, from its predecessors to its innovators. Touching on important personalities, past and present, the book gives a nod to young artists on the horizon, as well as those from the international scene. Candid interviews with such legends as Earl Scruggs, Ralph Stanley, and Nitty Gritty Dirt Band are included, as is an extensive resource guide to print, audiovisual, and Internet materials. The book is enriched by twenty-five photographs taken by the author, and features a foreword by superstar Ricky Skaggs. </Text>
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<Text>Contemporary visual and performance artists have adopted modern medical technologies such as MRIs and computer imagingand the bodily access they implyto reveal their limitations. In doing so they emphasize the unknowability of anothers bodily experience and the effectsphysical, emotional, and socialof medical procedures. In The Scar of Visibility, Petra Kuppers examines the use of medical imagery practices in contemporary art, as well as different arts of everyday life (self-help groups, community events, Internet sites), focusing on fantasies and knowledge projects surrounding the human body.</Text>
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<Text>Cartographic Cinema examines the affinities of maps and movies through comparative theory and close analysis of films from the silent era to the French New Wave to Hollywood blockbusters. In doing so, Conley reveals that most of the movies we see contain maps of various kinds and almost invariably constitute a projective apparatus similar to cartography. In addition, he demonstrates that spatial signs in film foster a critical relation with the prevailing narrative and mimetic registers of cinema. </Text>
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<Text>Political philosophy has long been bound by traditional thinking about the body and the senses. Politics of Touch explores the ways in which sensing bodies continually run up against existing political structures. Manning develops a new way to conceive the role of the senses, and of touch in particular. Exploring concepts of violence, gender, sexuality, security, democracy, and identity, she traces the ways in which touch informs and reforms the body. </Text>
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<Text>The desire to speak in a collective voice has long fueled social imagination and artistic production. Organized around a series of case studies spanning the globe from Europe, Japan, and the United States to Africa, Cuba, and Mexico, this book covers such renowned collectives as the Guerrilla Girls and the Yes Men, as well as lesser-known groups. Contributors explore the ways in which collectives function within cultural norms, social conventions, and corporate or state-sanctioned art. They examine the impact of new technologies on artistic practice, the emergence of networked group identity, and the common characteristic of collective production to blur the typical separations between artists, activists, service workers, and communities in need.</Text>
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<Text>At a time when traditional film theory privileged the purely visual, Film Hieroglyphs introduced a new way of watching filmexamining the ways in which writing bears on cinema. Author Tom Conley gives special consideration to the points (ruptures) at which story, image, and writing appear to be at odds with one another.</Text>
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<Text>There have been few book-length engagements with the question of sexuality in Africa, let alone African homosexuality. African Intimacies simultaneously responds to the public debate on the Africanness of homosexuality and interrogates the meaningfulness of the terms sexuality and homosexuality outside Euro-American discourse. </Text>
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<Text>This book argues that modernism exposes cultural identities such as blackness as mere strategies of conforming the self into belonging. Bells examination pursues the question of nonidentity through sound, silence, and gesture, treating these as technologies of reading the contradictions, breakdowns, and erasures that constitute subjectivity. His analysis of these texts reveals that the aesthetic investigations they perform undo the logic of cultural identity, devastating such reductive rubrics as race or gender.</Text>
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<Text>An intriguing look at imitation in Western art from antiquity to the present. Few tales of artistic triumph can rival the story of Zeuxis. As first reported by Cicero and Pliny, the painter Zeuxis set out to portray Helen of Troy, but when he realized that a single model could not match Helens beauty, he combined the best features of five different models. A primer on mimesis in art making, the Zeuxis myth also illustrates ambivalence about the ability to rely on nature as a model for ideal form.</Text>
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<Text>Next to the Color Line argues that within Du Boiss work is a politics of juxtaposition that connects race, gender, sexuality, and justice. This provocative collection investigates a set of political formulations and rhetorical strategies by which Du Bois approached, used, and repressed issues of gender and sexuality. The essays in Next to the Color Line propose a return to Du Bois, not only to reassess his politics but also to demonstrate his relevance for todays scholarly and political concerns.

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